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Slumber party panic adventure time
Slumber party panic adventure time








slumber party panic adventure time
  1. #SLUMBER PARTY PANIC ADVENTURE TIME FULL#
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  3. #SLUMBER PARTY PANIC ADVENTURE TIME SERIES#
slumber party panic adventure time slumber party panic adventure time

While many cartoons are based on script pitches to network executives, Cartoon Network allowed Adventure Time to 'build their own teams organically' and communication through the use of storyboards and animatics. Cartoon Network approved the first season in September 2008, and 'The Enchiridion!' was the first episode to enter into production.

slumber party panic adventure time

Ward then created a storyboard for the episode 'The Enchiridion!', which was his attempt to emulate the style of the original Nicktoons short. Cartoon Network was not happy with this story and asked for another. Ward's college friends Patrick McHale and Adam Muto helped him produce a rough storyboard that featured Finn and Princess Bubblegum going on a spaghetti-supper date.

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Ward quickly rethought the concept of the pilot he wanted a potential series to be 'fully realized', rather than be characterized by the 'pre-school vibe' that permeated the original film. Rob Sorcher, the chief content officer at Cartoon Network, was influential in getting the network to take a chance on the show he recognized the series as 'something that felt really indie.

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The studio approached Cartoon Network, which said it would be willing to produce a series if Ward could prove the short could be expanded into a full series while maintaining elements of the original's pilot. Frederator Studios then pitched an Adventure Time series to Nicktoons Network, but the network passed on it twice. After its release, the short video became a viral hit on the internet. It aired in January 2007 and again as part of Frederator Studios' Random! Cartoons on December 7, 2008. The show began as a single stand-alone animated short titled 'Adventure Time', which ran for seven minutes. Ward intended for the show's world to have a certain physical logic instead of 'cartoony slapstick' even though magic exists in the story, the show's writers tried to create an internal consistency in how the characters interact with the world. And there's a lot of that in the show, I think.' Executive producer Fred Seibert compared the show's animation style to that of Felix the Cat and various Max Fleischer cartoons, but said that its world is also equally inspired by Dungeons and Dragons and video games. It's my favorite way to feel – when I'm on the edge of my seat but I'm happy, that sense of conflicting emotions. Ward described the show as a 'dark comedy' he said 'dark comedies are my favorite, because I love that feeling – being happy and scared at the same time.

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Katz, Professional Therapist as influences, largely because both shows are 'relaxing' and feature 'conversational dialogue that feels natural not over the top cartoony and shrill'. In an interview with Animation World Network, Ward said he strives to combine the series' subversive humor with 'beautiful' moments, using Hayao Miyazaki's film My Neighbor Totoro as inspiration. According to series creator Pendleton Ward, the show's style was influenced by his time attending the California Institute of the Arts (CalArts) and his experiences working as a writer and storyboard artist on The Marvelous Misadventures of Flapjack.










Slumber party panic adventure time